In Act 2, scene 1, Iagos comment that Othello and Desdemona are  easily tuned is a metaphor of harmonic music in which he uses to  register the current  consent of Othellos marriage. However the comment is  so followed by Iagos vow to set down the pegs, which show his intentions to  break down the harmony between them. When Iago and Roderigo are left alone to hold fasther, Iago sees this as an  probability to manipulate Roderigo by  coition him that Desdemona is directly in  admire with him (him being Cassio), because she  must(prenominal) necessarily tire of Othello. However, although Roderigo finds it  unrealizable to believe, Iago continues by supporting his allegation by overwhelming him with his arguments that Desdemona  merely  feral in love with Othello because of his bragging and  fantastic lies of the stories that he told her  virtually his life. Iagos argument is sophisticated with the use of rhetorical questions in which he uses with the intent to  declare an infatuated Ro   derigo hesitant of Cassio.   intent me with what  delirium she first loved the Moor but for and telling her fantastical lies. And will she still love him for prating?  Her eye must be fed. And what delight shall she have to look on the  nonplus?

  Now, sir, this  given - as it is a most pregnant and  willing  rate - who stands so eminent in the degree of this  hatful as Cassio does?  The way that Iago uses his rhetorical questions are effective, because he creates a  opthalmic before it, in order to make Roderigo  trust  close what Iago is telling him. The rhetorical questions within Iagos explanation make it  attend    as if he had already planned on what he woul!   d say and how he would say it, to give the  scene that he isnt misleading Roderigo. In the quotation:...                                        If you want to get a  good essay, order it on our website: 
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