Film as a Subject of Study Essay

The tremendous expense involved in producing doing pictures reminds us that subscribe is both an Industry, and an Art. Each movie theater is the child of a turbulent marriage between businessmen and artists. Yet despite an current battle between aesthetic and commercial considerations, movie theater is now accepted as a unique and powerful art form on a par with Painting, Sculpture, Music, Literature, and Drama. As a form of human expression, the abject picture is similar to other artistic media, for the basic properties of other media atomic number 18 woven into its own rich fabric. fool away employs the compositional elements of the visual liberal arts line, form, mass, volume and texture. bid paint and photography, scud exploits the subtle interplay of light and shadow. Like sculpture, film manipulates three-dimensional pose. But, like pantomime, film focuses on moving images, and as in dance, the moving images in film have rhythm. The complex rhythms of film resemble those of music and poetry and like poetry in particular, film blow overs done imagery, metaphor, and symbol. Like drama, film communicates visually and verbally visually, through march and gesture verbally, through dialogue. Finally, like the novel, film expands or adjurees time and space, traveling back and forth dispatchly at heart their wide border. Despite these similarities, film is unique.1. It is set apart from all other media by its quality of free and constant motion. The continuous interplay of sight, sound, and motion allows film to transcend the static limitations of painting and sculpture in the complexity of its sensual appeal as vigorous as in its ability to communicate simultaneously on several(prenominal) levels. Film even surpasses drama in its unique capacity for divine revelation various points of view, portraying action, manipulating time, and conveying a boundless finger of space. 2. hostile the stage play, film fag end provide a continuous, unbrok en flow, which blurs and minimizes transitions without compromise the storys unity. Unlike the novel and the poem, film communicates directly, not through abstract symbols like words on a page exclusively through concrete images and sounds. Whats more, film can treat an closely infinite array of subjects.3. There is almost nothing that the eye powerfulness behold or the ear hear, in actuality or imagination, which cant be represented in the medium of film. From the North and South poles to the Equator, from the Himalayas as a vast mountain range to the minutest flaw in a piece of steel, from the whistling flight of a bullet to the slow growth of a flower, from the flicker of though across an almost impassive brass to the frenzied ravings of a madman, there is no point in space no degree of magnitude or speed of movement within the apprehension of man which is not within reach of the film. To simplify what Im getting at, bring back the many faces of Gabbar Singh in the film Sh olay, and you recall the power of film.4. The Elasticity of Time in a FilmFilm is unlimited not only in its choice of subject scarce also in its approach to that material. A film can carriage to the remote past or probe the distant future it can make a few seconds seem like hours or compress a whole century into minutes. Film can run the gamut of tone from the most fragile, tender, and beautiful to the most brutal, violent, and repulsive. 5. Of even greater importance than films unlimited range in subject matter, however, is the overwhelming palpate of Reality it can convey. The continuous stream of sight, sound, and motion creates a here-and-now fanaticism that immerses the viewer in the cinematic experience. Thus, through film, fantasy assumes the shape and mad impact of Reality. The technological history of film can in event be viewed as an ongoing evolution toward greater realism, toward erasing the border between art and nature, between fiction and reality. In sum, Film is a uniquely powerful combination of the Seven Arts.IIA. In the two pages above, a way of looking at films has been offered which says that films are more than just an socialize way to pass the time. There is an art, and a science to them, which usually goes unnoticed. When you fix to notice these two dimensions, your understanding of cinema will be oftentimes smarter and sharper. To take an example, please go back to pt. 2 above, and e modifiedly the note that film does not communicate through abstract symbols. How then does it communicate?The answer through concrete, flesh and blood symbols. With the help of camera angles and special lighting, almost everything becomes symbolic on film. The protagonists hair style, dimpled cheeks, the clothes they wear, the voice in which they speak, the way they walk, the way they smoke, the solitary glass on a table, the chair, the drapery anything and everything can be loaded with extra meaning in a film shot, and through the device of repetition be made symbolic. For lawsuit if you see the empty glass on the same table in more than one scene, it becomes symbolic.B. Let us now go to pt. 5 which stresses the power of the camera in creating a sense of reality. This is the cinematic experience, in a nutshell. You may be watching computer-created beings as in the Hollywood film Avatar, but they succeed in feeling and look like humans. The same perhaps can be said nearly the Tiger in the film The Life of Pi.This ability to convey the sense of reality endows the filmmaker with tremendous power which can be utilise to great public benefit, or it can be abused. Try and work out of examples of both use and abuse